Spider-Man: Across the Spider-Verse arrives five years after the Oscar-winning original. “Then it was, ‘ Actually, it was good.’ The word ‘actually’ is in a lot of reviews of things we do.” But they know that with Across the Spider-Verse, which they produced and wrote, “the expectation is high,” says Miller. “Historically we have had the advantage of low expectations,” says Miller of their unexpected hits like 21 Jump Street and The Lego Movie.
SPIDER MAN MOVIES MOVIE
James Gunn, whose DC Studios will debut the multiverse-spanning The Flash two weeks after Across the Spider-Verse opens, recently named the first Spider-Verse his favorite superhero movie ever. It also brought about the multiverse trend years before features such as Spider-Man: No Way Home, Everything Everywhere All at Once and Doctor Strange in the Multiverse of Madness. Centering on Afro-Latino teenager Miles Morales (Shameik Moore), it capped a year that began with Marvel Studios’ Black Panther and ushered in a new era of superhero inclusion onscreen.
Its 2018 predecessor won the Oscar for best animated feature and grossed $375.5 million globally. But even by their standards, the pressure on Across the Spider-Verse is immense. The obsessive attention to detail is par for the course for the duo, who collaborators say are harder on their projects than the studio executives they work for. “There are a lot of silly things that matter,” Lord, 47, says of the late nights they’ve been pulling. Finally, they land on a sound that they can’t describe, but they both feel it - it works.
They try version after version, from serious to comical. Events of the Week: 'Spider-Man: Across the Spider-Verse,' 'The Crowded Room,' ATX and MoreĪ character presses a button on the watch and hears an error sound - a very minor moment in the hugely complex world of the Spider-Verse, but Lord and Miller can’t move past it.
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